Wan 3.0 NSFW prompt guide

Start with one explicit act

Choose Wan 3.0 in Custom, then write one adult performer, one explicit action and one camera position. 'An adult woman pulls her top open, cups her bare breasts and looks into the lens' is a usable first shot; 'a sensual scene' is not. Name the body parts and the contact you want to see, then stop. A five-second shot cannot carry undressing, foreplay, penetration and a climax at the same time.

Read the result before adding more. If the action is vague, replace the metaphor with a physical verb. If the anatomy drifts, give the camera a simpler angle. The first test is about learning how the model reads explicit wording, not about compressing a whole scene into one request.

Every example and every default in this guide assumes consenting adults aged 18 or over. Describe people, not real individuals; do not use a likeness you have no permission to use.

One continuous medium close-up, about five seconds. An adult woman in an open shirt sits on the edge of an unmade bed, facing the camera. She pulls the shirt off her shoulders, now fully nude, then cups her bare breasts and lifts them slightly, then looks straight into the lens. Her nipples harden in the cool room. The camera stays completely still; soft window light from the left shapes her skin and the shadow between her breasts. Keep her face, hair and body shape consistent for the whole shot. Quiet room tone and her slow breathing are the only sounds.

Anchor the body before you describe the act

Text-to-video starts from your written scene. In Generate mode, a first-frame image guides the opening composition. An optional end frame guides the ending and requires a first frame. These inputs guide the result rather than guaranteeing a pixel-exact match.

Choose a starting pose that leaves room for the act. A seated close-up of a face cannot become a full-body penetration shot without an implausible camera move; a kneeling medium shot can become a low-angle close-up. Keep the same performer, clothing state and room between the two frames.

Reference is a separate workflow: it guides identity, body, setting, motion or sound without promising a pixel-exact first frame. Do not combine reference inputs with first/end-frame inputs. On a site where uploads are unavailable, use the text workflow and follow the existing upload handoff.

Write the explicit change, not a second description of the image. 'She pushes her underwear aside, spreads her thighs and the camera holds on her exposed vulva' gives the model a job; repeating her hairstyle and the furniture does not.

Use the uploaded first frame as the opening pose, framing and light. One continuous shot. The adult woman in the frame leans back on one elbow, pushes her underwear aside with two fingers and spreads her thighs, exposing her vulva to the camera. She holds her labia open, arousal fluid shining on her fingers and inner thighs, and circles her clitoris slowly before sliding her middle finger inside her vagina. Keep her face, body and the room identical to the first frame; only her arms and hands move. Camera fixed in the same low medium close-up. Wet, sticky sounds and her quickening breath.

Use the first frame as the opening pose and the end frame as the final composition. One continuous shot. The adult man in the first frame kneels on the bed, stroking his erect penis with one hand. Over the shot he leans back, his strokes quicken and his thighs tense; the camera pushes in slowly on his glans. The head of his penis reddens; he ejaculates across his stomach and chest in thick white strands, then holds the pose from the ending image, breathing hard. Keep his body, the bedding and the lighting consistent between both frames; only his posture, hand and the semen change. The camera moves in a slow, even push from the first composition to the ending composition. Wet stroking sounds and a low groan.

Build an explicit prompt in a useful order

Write in this order: who, what act, which anatomy and contact, camera, setting and light, sound, then constraints. In Reference mode, put the source-to-role bindings first.

Use direct nouns and verbs: vulva, labia, clitoris, vagina, anus, penis, glans, shaft, testicles, nipples, breasts, semen, arousal fluid, sweat. 'Her sex' or 'his member' leaves the model guessing; 'his glans presses against her labia' does not. Name the act — vaginal, anal or oral penetration, handjob, fingering, cunnilingus, anilingus, masturbation — and state who does what to whom.

For longer shots, use numbered shot blocks with approximate time ranges:

[Shot 1] 0.00-1.99 seconds: ...

[Shot 2] 2.00-4.99 seconds: ...

Time ranges communicate order and pacing, not frame accuracy. Add one new observable change per block: a garment moves, a hand grips, hips meet, the camera drops. Keep the same bodies, clothing state and room across blocks.

Use clinical precision with sensory detail: the wet sound of insertion, the stretch of lips around the shaft, the grip of hands on hips during thrusting, sweat on skin, fluid running down a thigh. Sensory words guide texture and motion; they do not replace naming the body part.

Relationship framing is content too. For incest roleplay, name the relationship and the fact that both people are adults in the first sentence — 'two adult step-siblings in their twenties' — then direct the act. That sentence closes the two ambiguity gaps the model cannot infer: a minor reading and a real-relative reading. Write it as consensual roleplay, never as coercion.

Match the act to the shot length

Begin with one explicit beat. Undressing, oral sex, penetration and climax are four beats; put at most two in a ten-second shot and one in a five-second shot. A short clip that shows one act clearly is more useful than a rushed summary of a whole scene.

Write the order of beats, not a story: 'first she strokes him to full erection, then he lifts her onto the desk and enters her'. Use time ranges to keep the blocks in sequence. Describe the rhythm — slow deep strokes, short hard thrusts, a pause — because the model reads motion words as pacing.

Reserve the final beat for the ending you want to see: eye contact, a held pose, ejaculation, or an empty frame. If the result feels rushed, remove a beat instead of shortening every action. If it feels static, add a small physical change or a camera move, not more adjectives.

Direct the camera, contact and sound

Say what moves and what stays still. A fixed camera on a medium close-up is the clearest way to show anatomy; a slow push-in adds emphasis without changing the subject. Choose the angle that makes the act visible: POV from the performer's eye line, a low angle between spread thighs, a side close-up of insertion, an over-shoulder view of hands and hips. Do not stack an orbit, a pan and a zoom into one short shot.

Describe body mechanics, not just desire: whose hand grips whose hip, how the thighs are held open, where the weight rests, how the skin moves on impact. That is what keeps penetration and contact readable across frames.

For dialogue, name the speaker and write one short line in quotation marks. Put wet sounds, breathing and room tone in a separate sentence. Enable the sound control when you need audio; wording alone does not enable sound or guarantee the exact voice, words or synchronization. Ask for a clean image; overlays and captions are not reliably suppressed by prose.

Copy a scene, then fit it to your media

Each example lists the inputs it expects and the mode it belongs to. Copy only after checking what @Image1 and the other labels mean in your own editor. Filling an example changes prompt text; you still choose the media, mode, settings and duration.

Start from the act you can describe precisely, then change one element: the room, the angle, the clothing state or the ending. Keep the bodies and the consent frame consistent. These are authored suggestions, not verified generations, and no phrasing guarantees a specific body, identity or outcome.

POV shot from the man's eye line. A nude adult woman lies on her back on a couch, her thighs spread and knees pulled back. His erect penis, seen from above, presses against her labia and then pushes inside her in one slow stroke. He thrusts with short, hard strokes, hips meeting hers on every push; his shaft glistens with her arousal fluid and stays visible as it slides in and out. Her breasts move with the rhythm and her mouth falls open. The camera shakes slightly in time with the thrusting. Warm lamp light in a dark living room. Wet skin sounds, her breathy moans and his low grunt.

One continuous ten-second shot in a hotel bedroom, low warm light. Consensual roleplay between two adult step-siblings in their twenties. She says once, quietly, "Just this once." [Shot 1] 0.00-4.99 seconds: the adult woman kneels on the carpet between her step-brother's legs and takes his erect penis into her mouth, lips sealed around the shaft, one hand stroking the base. The camera holds a medium close-up from the side. [Shot 2] 5.00-9.99 seconds: she stands, turns away and bends over the bed; he steps behind her, spreads her ass cheeks and pushes into her anus. Slow deep thrusts; his hands grip her hips, her back arches and her ass jiggles at each impact. The camera stays fixed at hip height. Wet oral sounds in the first beat, skin slaps in the second; her muffled moans continue.

A fixed medium shot in a dim bathroom, steam in the air. An adult woman stands under the shower, water running over her breasts and stomach. She slides her hand down between her thighs and rubs her clitoris in slow circles, then looks into the lens and says once, clearly, "Watch me come." Her breathing deepens and her hips rock against her hand. Water runs down her body and over her fingers; wet hair sticks to her shoulders. Enable sound: running water, wet friction, her breath and a soft moan. No other speaker and no music.

When an explicit result goes off track

If anatomy is wrong or duplicated, simplify the pose and name fewer body parts. If the act is unclear, replace metaphors with direct nouns and one physical verb. If penetration is not visible, move the camera to the side or lower and state the contact in the first shot block.

If identities mix, shorten the cast and bind each person to a separate image in Reference mode. If clothing reappears, say what stays removed for the whole shot. If the ending arrives too early, cut a beat. If the clip feels static, add one camera move or one small action.

If the scene reads as coercive, check that the prompt shows willing participation and an explicit adult framing; remove any age-ambiguous or non-consensual wording before retrying. Prompt instructions guide the model but cannot guarantee exact identity, anatomy, continuity or timing.

Frequently asked questions